Original vs Stemmatics - What's the difference?
original | stemmatics |
(label) Relating to the origin or beginning; preceding all others.
*{{quote-book, year=1944, author=(w)
, title= (label) First in a series or copies/versions.
* {{quote-book, year=1963, author=(Margery Allingham)
, title=(The China Governess)
, chapter=1 (label) Newly created.
(label) Fresh, different.
(label) Pioneering.
(label) Having as its origin.
An object or other creation (e.g. narrative work) from which all later copies and variations are derived
A person with a unique and interesting personality and/or creative talent
(archaic) An eccentric
The study of multiple surviving versions of the same text with the aim of reconstructing a lost original.
* 2004 , Conor Fahy, "Old and New in Italian Textual Criticism", page 404 in'' Raimonda Modiano, Leroy Searle, & Peter L. Shillingsburg (eds.), ''Voice, Text, Hypertext: Emerging Practices in Textual Studies
As nouns the difference between original and stemmatics
is that original is original while stemmatics is the study of multiple surviving versions of the same text with the aim of reconstructing a lost original.original
English
Adjective
(en adjective)The Three Corpse Trick, chapter=5 , passage=The hovel stood in the centre of what had once been a vegetable garden, but was now a patch of rank weeds. Surrounding this, almost like a zareba, was an irregular ring of gorse and brambles, an unclaimed vestige of the original common.}}
citation, passage=The original family who had begun to build a palace to rival Nonesuch had died out before they had put up little more than the gateway, […].}}
Synonyms
* (first in series ) initial * autograph * prototypeAntonyms
* copy * derivative * reproduction * simileDerived terms
* originally * original sinNoun
(en noun)- This manuscript is the original
- You’re an original
Synonyms
* autograph * prototypeAntonyms
* copy * remake * reproductionStatistics
*External links
* * ----stemmatics
English
Noun
(-)- In other words, they must carry out an operation similar to the collations required by Lachmannian stemmatics , after which they must make a critical (i.e., subjective) choice. And, when constituting the text, they do not just slavishly copy their source, obvious errors included; their editions always contain an element of interpretation.
